THE BEAUTY OF KINBAKU PDF

adminComment(0)
    Contents:

PDF - The Beauty of Kinbaku. Now, for the first time in English, a book which tells the complete story of the remarkable, sensual and provocative world of. Get free access to PDF The Beauty Of Kinbaku Or Everything You Ever Wanted To Know About Japanese Erotic. Bondage When You Suddenly Realized You. The Beauty of Kinbaku, a new work by renowned authority and teacher . Japanese erotic bondage when you by Master "K" ebook PDF download. "The Beauty.


The Beauty Of Kinbaku Pdf

Author:YETTA NASSAR
Language:English, French, German
Country:Bolivia
Genre:Fiction & Literature
Pages:104
Published (Last):08.12.2015
ISBN:754-2-73017-922-8
ePub File Size:29.58 MB
PDF File Size:13.45 MB
Distribution:Free* [*Registration Required]
Downloads:33380
Uploaded by: LAURALEE

PDF | The practice of kinbaku is still quite young, even the supposed “masters” in Download full-text PDF . Master K. Beauty of Kinbaku. PDF Download "The Beauty of Kinbaku: Or everything you ever wanted to know about Japanese erotic bondage when you, by Master "K". The Beauty of Kinbaku: (Or everything you ever wanted to know about Japanese erotic bondage when you suddenly realized you didn't speak Japanese.).

Hanayanagi Okiku were standing right next to me! We were being jammed together and our shoulders bumped together so I unintentionally spilt the glass of sake in my hand. This later lead to meeting Seiu-sensei, but it was my impression that he did not suspect that I was indeed Kita Reiko. After a sequence of events, he even seemed to think I was her husband.

She is doing very well! I will talk more about this later, but I have a feeling sensei surely knew the truth, but then decided to pretend to not know of it. In the early days, there was this letter from sensei addressed to Reiko that sounded like a love letter, depending how you read it of course, at this point, sensei must have thought Reiko to be a woman.

It would be sad and unfortunate if the illusion of the sweet Reiko would be destroyed by my appearance. Then again, the great Seiu-sensei was probably not somebody that would fuss over something like that.

He was by nature a person with a very kind heart, and he might have forgiven me for the fact that the illusion is only an illusion. I know the late Mr. Takahashi Tetsu heard of these love letters of Seiu-sensei from somebody, and searched for and tried to get a hold of them, but that came to nothing. It seems Mr. Numa Shoso.

Shortly before coming to Tokyo, there was an issue of Kitan Club where Mr. Takahashi Tetsu was criticised by Mr. Numa, and this strangely bothered Mr. In this instance, Mr. Takahashi knew I was an editor for Kitan Club and that was how our problematic relationship started. He must have thought I had egged on Mr. Picture 1: The first time I saw fully nude shibari I just investigated about this and found out that Mr. This is the text: I was only 17 years old when I started wanting to draw women in torment.

To be blunt, it was because of my youth and horniness. I used to put thin paper over newspaper images of women to copy them, and then draw rope on top of the images. I was once caught by another apprentice doing such thing, and remember my face turning bright red. With time, I began making a living out of painting, and I can still remember the joy I felt when I sketched my young wife who was not extraordinarily pretty in any way , tied up with a kimono sash.

For a while, I thought that the best way to study women being tormented was to go to the theatre. I had no idea where I would end up, nor did I have a clear goal. Just like a person who loves fishing goes out to fish, I decided to go deeper and deeper into my interests. Since there are no other reasons behind my work, I like to think my emotional landscape when drawing women in torment is no dofferent than that of Utamaro when he was painting shunga.

There are no scenes of women being tormented in shunga, but I believe that the aesthetics at the core — that of making something ugly into something beautiful — is something that my work shares with shunga. The fact that Kitan Club, a magazine specializing in the reverse?

The publisher has used an amateur female painter to spark an interest in people. The works of Kita Reiko, a woman, are very good, and have a quite feminine, soft touch.

She has been like a kite pulling everybody along the way. Not differentiating her work from her gender is a messy way to kill her career. They care more about the already established people and that is a bad habit.

It would take me another 10 years to train and refine the woman Kita Reiko. As someone who did not complete elementary education, my own drawings are not that different from those done by amateurs.

Those who can only create compositions from still life are unable to sketch moving people. Beyond that is up to your talent. Thinking about it, it was probably Minoru-san from Kitan Club who had asked him to write this contribution. Picture 2 Picture 3: A disarrangement of the Japanese hair style I received the photos 1 and 2 from Seiu-sensei one time when he treated me to drinks in Ikebukuro.

Sensei usually drank at a place called Taisaku in Hondai sakana machi, but I think he had errands in the area that day. Looking at the pictures, I saw that it was pictures of a fully nude woman tied with her hands behind her back with aranawa [straw rope].

Now days, it is not uncommon with fully nude shibari, but at that point in time, they were very rare. For sure? Thank you!

See a Problem?

This was before Uramado was published, so pictures of a woman tied up with aranawa were practically non-existent; They were treasures. Frankly, the blood was rushing to my crotch. Sensei also had his bad sides. He got me drunk and showed me, someone who likes these kinds of things, these photos. Seeing this, your hearts starts racing and your face grows red.

PDF - The Beauty of Kinbaku

My excitement was anticipated, and my crotch got hard, and seeing this, sensei grinned. I carefully took the three photos I received that night home to my apartment in Hatagaya. When I came home, I masturbated and it felt like my hips were melting.

Of the three photos I received, sensei liked the third best. As noticeable in his drawings, sensei liked the traditional Japanese hairstyle that had become disarranged.

kinbaku.pdf

This scene probably spoke to him on a sexual level, seeing the cord tying the hair almost about to snap. Speaking of photos, photo 4 is treasured masterpiece. Picture 4: Is that your wife, so gruesomely suspended? I received this photo along with the others. At the time, I was an editor for Uramado, and this was to be published in the magazine. Perhaps photo 4 is from that time? They had to retake many of the photos, so it is most likely one of those retakes. This photo shows just how hard it was taking photos with those old cameras.

Picture 5: Tying up a kabuki oyama Picture 6: Torment and the beauty of a traditional Japanese hairstyle The photo 5 is a very rare photo from a glass plate. The oyama in the picture was probably somebody important in the kabuki world, but I can no longer remember the name. This was taken at a certain SM-enthusiast meeting where Seiu-sensei himself tied up a beauty.

In pictures 7 and 8 , you can see Seiu-sensei standing behind her. These are very rare photos. Itoh Chikusui. Quite a few were present at the meeting. There were some people I know, and some have already passed away. Seiu-sensei, clothed in a yukata stands in the middle. The old man in the front row, wearing a white shirt with his hands on his knees is Mr.

I believe he has done much for other enthusiasts, also for me, and he passed away shortly before Seiu-sensei did.

The two were good friends, and although they did argue from time to time, in essence they got along well. Among the people behind them are authors, critics — a whole world of able persons. In picture 8 , Seiu-sensei is forcefully making her sit down by holding her collar in that pose.

You might also like: THE HERETICS APPRENTICE EBOOK

His eyes become squinty and he is like a fish in the water. Sensei has written a lot about this photo session in the snow.

Thinking back, I wish I had asked him about that, but nothing can be done now. I have done shibari in the snow as well, and it is very difficult for both the model and the photographer.

Picture 9: A scene of the famous Snow Torment, where the model fainted In pictures 10—15, aranawa is used to tie the models at the photo session. What do you readers think? He would wind up the string and take out the money when paying. Something memorable happened during the bus-ride. After sitting on the bus for 30 minutes, a woman with a traditional Japanese hairstyle boarded.

She looked like a geisha. The smell of hair oil filled the bus. He must have been fantasizing about tying up a geisha. I signalled that I agreed with him, and looked at the expression on his face, happy as a baby. Sensei usually drank at a place called Taisaku in Hondai sakana machi.

The mistress there had a beautiful way of walking, and was overall a sensual woman.

The mistress was a big fan of Seiu-sensei, and in a room where only regulars could sit, there was seme-e with rich colours, that everybody looked at while drinking. When sensei got drunk, his slim-wasted kimono slowly unravelled, and when that happened his fundoshi would show. At times, the fundoshi would loosen, and his penis would fall out. When this happened, the mistress of the bar carefully tucked it back in. Then it peeked through again, and got tucked back in. Sensei was like an unmanageable child; he must have enjoyed making the mistress do that.

However, growing older he liked to be more of the happy-go-lucky type, telling lots of anecdotes. People saw him as an eccentric person. Tying up a pregnant woman like in the famous work of Mr. Yoshitoshi Tsukioka and taking photos; tying up a fully nude woman out in the snow to sketch her and pushing it to the point of her fainting… Simply speaking, these are anecdotes that society would frown upon. There are no evil spirits if there is no ill will. Not to mention, not caring about the views of mainstream society and of rising above caring what reputation he might get.

Walking his own path at full speed — born and raised in Edo. I met sensei also at another meeting for SM-enthusiasts and had the privilege to sit by him. I had been to sessions like this before where he would tie up the female model, but this one left a strong impression on me.

Seme-e was a region of his interests; he had started as a genre painter, and he was among the best. From a young age, he had drawn clippings and billboards for plays.

Aesthetics of Japanese bondage[ edit ] The aesthetics of the bound person's position is important: in particular, Japanese bondage is distinguished by its use of specific katas forms and aesthetic rules.

Sometimes, asymmetric and often intentionally uncomfortable positions are employed. In particular, Japanese bondage is very much about the way the rope is applied and the pleasure is more in the journey than the destination.

In this way the rope becomes an extension of the nawashi 's hands and is used to communicate. The natural fibers easily lock to each other which means the bondage can be held together by the friction of twists and turns or very simple knots.

Traditionally, multiple meter lengths are used. Shibari has a strong presence in the works of some renowned contemporary artists, mainly photographers, like Nodownloadoshi Araki in Japan, Jim Duvall in the United States and Hikari Kesho in Europe.

Kinbaku became widely popular in Japan in the s through magazines such as Kitan Club and Yomikiri Romance, which published the first naked bondage photographs. In the s, people such as Eikichi Osada began to appear performing live SM shows often including a large amount of rope bondage, today these performers are often referred to as Nawashi rope master or Bakushi from kinbakushi, meaning bondage master.

In recent years, Kinbaku has become popular in the Western BDSM scene in its own right and has also profoundly influenced bondage, combining to produce many 'fusion' styles. Technique[ edit ] Kinbaku is based on fairly specific rope patterns, many of them derived from Hojojutsu ties though significantly modified to make them safer for bondage use.

Many Hojojutsu ties were deliberately designed to cause harm to a prisoner and are therefore not suitable for erotic bondage. Of particular importance are the Ushiro Takatekote a type of box tie which surrounds the chest and arms , which forms the basis of many Kinbaku ties, and the Ebi , or "Shrimp", which was originally designed as a torture tie and codified as part of the Edo period torture techniques.

Generally speaking, Kinbaku is practised with ropes of 6—8 meters 20—26 feet in length. Various techniques are used to make the natural fiber ropes softer.It is so much better then I imagined.

Even though he was considered a master painter, he had little to no arrogance to him. About the Author Master "K" is a renowned authority on his subject and has been a teacher of Kinbaku for over 40 years.

You have done a splendid job of pulling everything together into an accurate, concise work. Walking his own path at full speed — born and raised in Edo. It appears to be higher when an e-book could be the ideal thing to uncover.

NATHANIEL from Huntsville
Feel free to read my other posts. I have always been a very creative person and find it relaxing to indulge in padiddling. I enjoy exploring ePub and PDF books gently.
>